Free sheet music : Bizet, Georges. The mezzo- soprano's vocal range usually extends from the A below middle C to the A two octaves above (i. In the lower and upper extremes, some mezzo- sopranos may extend down to the F below middle C (F3) and as high as . Many 1. 9th- century French- language operas give the leading female role to mezzos, including B. Mezzo- sopranos are well represented in baroque music, early music, and baroque opera. Such roles include Despina in Mozart's Cos. Mezzo- sopranos generally have a heavier, darker tone than sopranos.
Le Temple de la Gloire (Versailles 1745, revised Paris version 1746). Ricercar RIC 363 (2 CDs, November 2015). With the success of the 1st International Opera Exchange MasterClass, our two Italian masters Chiara Angella and Silvio Zanon will return to Hong Kong in Nov 2016 and.The mezzo- soprano voice resonates in a higher range than that of a contralto. The terms Dugazon and Galli- Mari. Usually men singing within the female range are called countertenors since there is a lighter more breathy tonal (falsetto) quality difference. The roles they sing often demand not only the use of the lower register but also leaps into the upper tessitura with highly ornamented, rapid passages. They have a range from approximately the G below middle C (G3) to the B two octaves above middle C (B5). Some coloratura mezzo- sopranos can sing up to high C (C6) or high D (D6), but this is very rare. Although coloratura mezzo- sopranos have impressive and at times thrilling high notes, they are most comfortable singing in the middle of their range, rather than the top. Rossini demanded similar qualities for his comic heroines, and Vivaldi wrote roles frequently for this voice as well. Coloratura mezzo- sopranos also often sing lyric- mezzo soprano roles or soubrette roles. Lyric mezzo- sopranos do not have the vocal agility of the coloratura mezzo- soprano or the size of the dramatic mezzo- soprano. The lyric mezzo- soprano is ideal for most trouser roles. This voice has less vocal facility than the coloratura mezzo- soprano. The range of the dramatic mezzo- soprano is from approximately the F below middle C to the G two octaves above middle C. Verdi wrote many roles for this voice in the Italian repertoire and there are also a few good roles in the French Literature. The majority of these roles, however, are within the German Romantic repertoire of composers like Wagner and Richard Strauss. Like coloratura mezzos, dramatic mezzos are also often cast in lyric mezzo- soprano roles. The Science of Vocal Pedagogy: Theory and Application. Indiana University Press. ISBN 9. 78- 0- 2. Singer's Edition (Soubrette): Operatic Arias . Caldwell Publishing Company. ISBN 9. 78- 1- 8. Guide to Operatic Roles and Arias. Caldwell Publishing Company. ISBN 9. 78- 1- 8. Bel Canto: A History of Vocal Pedagogy. University of Toronto Press. ISBN 9. 78- 0- 8.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2016
Categories |